Call for Art Advisory Group Chair

Deadline: June 1, 2026

The Chair of the Art Advisory Group leads the SIGGRAPH Art Advisory Group, a body established by the Executive Committee of SIGGRAPH in 2018. The AAG has been established to ensure that Art Gallery and Art Papers continue to be valued SIGGRAPH programs that serve the artist community and beyond. This group will also provide counsel to the Conference Advisory Group (CAG) and SIGGRAPH Asia Conference Advisory Group (SACAG), as needed, on multi-year, cross-conference issues that affect the Art Gallery and Papers community. The AAG membership consists of Ex-Officio members (past/current/future/ Art Chairs + current the Digital Arts Community Chair) and Executive members appointed by the Chair.

The AAG Chair convenes the Art Advisory Group members in person at the annual SIGGRAPH Conference, and online as needed. This includes periodic engagements with the DAC committee and with the Conference Chairs of SIGGRAPH and SIGGRAPH Asia as they develop their programs. In this capacity the Chair:

  • solicits feedback and suggestions on Art programs and initiatives from committee members
  • transmits collective wisdom around best practices and suggestions for program activities
  • facilitates communication across programs and program leads year-over-year
  • promotes collaboration between Conference and year-round Standing Committee activities
  • elicits suggestions for future program leadership and juries

The Chair also serves as a liaison between the Art program communities and the CAG/SACAG and the SIGGRAPH EC. In this capacity the Chair:

  • advocates for SIGGRAPH Art community initiatives, including program support at the SIGGRAPH and SIGGRAPH Asia Conferences
  • Facilitates publications agreements and processes, currently with PACMCGIT for SIGGRAPH Art Papers and the ACM Digital Library for Art Gallery proceedings
  • Researches and facilitates extra-institutional collaborations with partner and related organizations, such as ISEA, Leonardo, and Ars Electronica
  • Reports annually to the Executive Committee on AAG activities

The Chair of the Art Advisory Group serves a three year term, plus one year as Past Chair, if applicable. An individual may serve a maximum of two consecutive terms as AAG Chair.

CHARTER: SIGGRAPH ARTS ADVISORY GROUP (AAG)

Mission:
The AAG has been established to ensure that Art Gallery and Art Papers continue to be valued SIGGRAPH programs that serve the artist community and beyond. This group will also provide counsel to the Conference Advisory Group (CAG) and SIGGRAPH Asia Conference Advisory Group (SACAG), as needed, on multi-year, cross-conference issues that affect the Art Gallery and Papers community.

  1. Budget
    The AAG has no budget. If the AAG ever needs money, the AAG chair would ask for it from CAG/EC president’s budget or as a special CAG/EC allocation.
  2. Authority
    The AAG is a purely advisory body and has no explicit authority.
  3. Meetings
    The AAG communicates primarily electronically, with occasional in-person meetings as needed, usually at a conference or Art Jury meetings.
  4. Recognition
    AAG members will receive recognition of their contributions on the SIGGRAPH web site. There is no compensation or free conference registration for members of the AAG. SIGGRAPH will not provide fi nancial coverage for AAG members to attend the conference.
  5. Membership
    Members of the AAG with have their contribution recognized on the SIGGRAPH web site but there will be no conference registration provided. The types of members and their terms are:

  1. Ex-officio members. These are the N-1, N, and N+1 art Gallery and Papers chairs for SNA and SA and the current chair of the ACM SIGGRAPH Digital Arts Community (DAC) .
  2. Appointed members. There are 2 to 3 members, who are appointed by the AAG chair. The appointed members should be experienced, respected, senior members of the fi eld who think independently, are proactive and clear in articulating their views, and are good at working collaboratively with others.
  3. Chair. The chair is nominated by the preceding AAG chair in consultation with the AAG and approval of the CAG/EC. The chair would usually be a current or former appointed member.
  4. Past chair. When a new chair starts, the former chair serves as a nonvoting member for one year.
  5. Executive members. This refers to the 2 to 3 appointed members, the chair, and the past chair (when there is one).
  6. Terms. The appointed members and chair serve staggered 3-year terms. The ex-officio members serve from when they are approved as Art Papers or Art Gallery chair by the CAG/EC until they become the N-2 chair — for DAC chair, until their term ends.
  7. Removal of appointed members. Appointed members can be removed by the chair with CAG/EC approval.
  8. Removal of the chair. The chair can be removed by the CAG/EC. If the chair is removed, they do not serve as past chair unless invited to do so by the incoming chair.
  9. Replacement of appointed members. If an appointed member resigns or is removed, the chair can appoint a replacement to serve out the remainder of their term.
  10. Replacement of the chair. If the chair resigns or is removed, the CAG/EC can appoint a replacement to serve out the remainder of their term.
  11. Term limits. No one can serve more than 2 consecutive full terms as an appointed member. No one can serve more than 2 consecutive full terms as the chair.
  12. Initial terms. Note that the initial terms of the founding AAG chair and appointed members exceed 3 years, but those initial terms are counted as single full terms for purposes of the term limit provision. The founding members and the end of their initial terms are as follows:
  1. Responsibilities
    The AAG has the following responsibilities:
  • Be a resource to the ACM SIGGRAPH community for matters that affect the Art Gallery and Papers community
  • Represent the Art Gallery and Art Papers community in multi-year, cross-conference issues
  • Be a forum for discussion of issues that affect the Art Gallery and Papers community
  • Provide support for Art Gallery and Papers chairs
  • Provide institutional memory for the Art Gallery and Papers chairs and programs
  • Help provide continuity and communication among Art Gallery and Papers Chairs
  • The AAG’s executive members have the following additional responsibilities, without the involvement of the ex-officio members:
    • recommend and vet Art Gallery and Papers Chairs to the SIGGRAPH Conference Chairs
    • recommend AAG governance guidelines to the EC/CAG for approval

ACM SIGGRAPH Pioneers Announce Next Online Panel – 13 May 2026

PIONEERS of Computer-Aided Design (CAD)

 On May 13, 2026, at 1:00 pm Eastern, the ACM/SIGGRAPH Pioneers will present the tenth in our year-round series of panels on topics of importance to the computer graphics and interactive techniques communities. (Note: The start time has been chosen to allow our European members to attend live.) Panelists have been selected to provide a diverse overview on the history and development of Computer-Aided Design. Experts will discuss the many areas of research CAD systems have enabled, the marketing and adoption of these systems, how CAD gave rise to the associated field of Computer-Aided Manufacturing, and the current state of the art in CAD systems.

The Panel is open to all ACM/SIGGRAPH Pioneers and their associates. Please register at this zoom link:

 

The ACM/SIGGRAPH Pioneers are a seasoned group of computer graphics influencers from the fields of education, research, engineering, and entertainment. The group originated in 1980 with one requirement for membership – 20 or more years of professional experience in the computer graphics or interactive techniques industries. The Pioneers have committed to serve the worldwide computer graphics community in a variety of year-round ways, including presenting panels with experts on wide-ranging topics of interest. To view all previous Pioneer panels and videos, click this link: Pioneers Panels and other Videos

Ed Kramer
Chair, ACM/SIGGRAPH Pioneers

ACM SIGGRAPH OPPORTUNITY TRAVEL GRANT

Applications Open: 24 March, 2026
Applications Close: 22 April, 2026
Acceptances: 9 May 2026

ACM SIGGRAPH offers support, through a competitive selection and review process to new and existing members of the SIGGRAPH community whose potential career impact is recognized as extraordinary and who can demonstrate financial need to attend SIGGRAPH 2026 in Los Angeles. We most importantly intend to simultaneously highlight SIGGRAPH’s abiding recognition of the value that diversity from historically underrepresented groups brings to visual computing domains and its importance to their vibrancy and future positive impact on our communities and society. A similar call for grant applications for SIGGRAPH Asia 2026 will open May 1, 2026. 

ELIGIBILITY REQUIREMENTS:

1. Grant recipients must have an active ACM SIGGRAPH membership (Standard Member or Student Member) at the time funds are disbursed. Membership is not required to apply.

2. Grantees are eligible to receive no more than one grant total from this program, across all funding cycles and years.

3. Budget requests and reimbursement are subject to the ACM SIGGRAPH travel policies.

4. Nominees from universities, NGOs, industry, and governmental organizations, including students, early career, industry, and academic professionals in visual computing, will be considered and are encouraged to apply for travel grant support.

 

HOW IT WORKS:

Submit here by 22 April 2026 before 11:59 PM EST USA.

**Please also include 2 letters of recommendation (500-word limit) each due with application materials to be emailed to urt@siggraph.org 

REVIEW PROCESS:

A selection committee of current ACM SIGGRAPH members will review all the nominations.

GRANTEES:

All grantees will be selected by 9 May 2026, and invited to attend SIGGRAPH 2026 in Los Angeles, California. Grantees will receive a Full Conference Pass and financial support reimbursing the documented cost of SIGGRAPH 2026 attendance.

PUBLICITY: 

Any information supplied for the application must not be confidential and can be used for publicity purposes by ACM SIGGRAPH. Awardees permit ACM SIGGRAPH to use representative images of their work, member profiles, stories, subsequent activities in connection with the ACM SIGGRAPH community and organization, etc. for use in ACM SIGGRAPH publications, at conferences sponsored by ACM and/or ACM SIGGRAPH, or other publicity purposes.

CONFLICT OF INTEREST: 

ACM’s conflict-of-interest (COI) guidelines apply to all award nominations. The ACM SIGGRAPH Award Chair of the ACM SIGGRAPH Executive Committee is responsible for ensuring the COI guidelines are followed and resolving any issues that cannot be resolved by the respective Award Committee Chair.

ACM LINKS TO REFERENCE:

General ACM Conflict of Interest Policy: https://www.acm.org/special-interest-groups/volunteer-resources/acm-conflict-of-interest-policy 

Guidelines on Conflict of Interest: https://awards.acm.org/awards-committees/conflict-of-interest 

ACM Open, ACM Digital Library, and publishing with ACM

In a little over a month from now – January 1st, 2026 – the ACM Digital Library will undergo an open access transformation. All of the content in the the ACM Digital Library will be free to read for everyone. This transformation is in response to a call from the computing community for research to be more accessible. This ACM article – https://libraries.acm.org/acmopen/message-to-the-community – summarizes the rationale behind this transformation. 

This will have implications for authors of ACM works as well as readers of ACM publications. This article will help you understand those implications.

In brief: There will be a fee – an Article Publishing Charge, or “APC” – that must be paid by the authors of certain works to be published by ACM. If the corresponding author of an APC-eligible work is affiliated with an institution that is part of the ACM Open program, the APC is waived. There is an APC waiver process for financial hardship cases. The APC is paid, or waiver requested and granted, at the time of the completion of the rights form for the work to be published.

What kinds of publications are “APC-eligible?” Papers – both full-length and short papers – are APC-eligible. Abstracts and course notes are “Non-APC-eligible” and no APC need be paid to publish those works with ACM. A list of ACM article types and whether they are APC-eligible or not can be found at https://libraries.acm.org/acmopen/article-types. 

In order for the fee for an APC-eligible work to be waived, the corresponding author of the work to be published must be affiliated with an institution that is participating in the ACM Open program, and use their institutional email address when completing the rights form. A list of participating institutions can be found here – https://libraries.acm.org/acmopen/open-participants.

Waiver requests are accommodated, on the basis of financial hardship – https://www.acm.org/publications/policies/policy-on-discretionary-open-access-apc-waivers – and author’s geographic location – https://www.acm.org/publications/policies/policy-on-geographic-apc-waivers-and-discounts. These articles provide information on who to contact and how to request an APC waiver.

Questions on the ACM Open program and the APC process can be directed to dl-info@hq.acm.org.

ACM SIGGRAPH Early Career Development Committee Announces Webinar on Digital Fashion Innovation Featuring Leading 3D Apparel Experts

ACM SIGGRAPH is pleased to announce the next event in its ongoing webinar series, a special panel discussion exploring the rapidly evolving intersection of fashion, technology, and digital product creation. The session, titled “The Fashion Panel,” will take place on December 9 at 9:00 AM PST and will feature a distinguished group of innovators reshaping the future of digital apparel workflows, virtual sampling, and creative expression.


Featured Host & Panelists

Angela Holm — Host & Panelist

Angela Holm is a Senior 3D Technical Designer with more than 18 years of experience in fashion, apparel construction, and digital product creation. Beginning her career as a traditional technical designer and patternmaker, she later transitioned into 3D apparel, where she now leads asset creation, hardware development, and workflow standardization for Fortune Swimwear’s global brands.

A specialist in Browzwear development, process optimization, and team training, Holm bridges the gap between physical garment craftsmanship and emerging digital design tools. Her work showcases how graphic and 3D skills translate into impactful careers across the fashion industry’s rapidly expanding digital pipelines.


Afsha Iragorri — Panelist

Afsha Iragorri is a 3D technical design expert with more than eight years of experience in the fashion industry. She developed extensive expertise in garment fit and patternmaking through her work with technical design teams at brands such as Coldwater Creek and Ralph Lauren.

She later served as a 3D Technical Designer for Calvin Klein, advising internal teams on best practices in Browzwear VStitcher and helping establish 3D standards for global vendor teams.

In 2021, Iragorri earned a master’s degree in Fashion Management from IED Madrid and founded 3D Fashion Solutions, a consultancy that helps individuals and brands transition into digital product creation (DPC).

Beyond her professional work, Iragorri is deeply passionate about the narrative potential of digital fashion. In her spare time, she experiments with emerging technologies, exploring new artistic expressions that push the boundaries of creativity.


Astrid Hanenkamp — Panelist

Astrid Hanenkamp is a seasoned 3D and 2D fashion designer with more than 20 years of experience in women’s and men’s apparel. Her expertise spans knitwear, sweaters, cut & sew, soft wovens, and performance wear.

Hanenkamp blends traditional craftsmanship with cutting-edge digital innovation, using tools such as Browzwear, Style3D, and Blender to create sustainable, cost-effective virtual samples and immersive “phygital” fashion experiences.

Her design philosophy merges innovation with tradition, resulting in hybrid garments defined by dynamic layering, transformable structures, and bold color compositions—reinterpreting classic silhouettes with a contemporary, expressive approach.


Rachel Arnsdorf — Panelist

Rachel Arnsdorf’s fascination with fashion began early, sparked by the way clothing shapes movement, emotion, and identity. After teaching herself to sew, she expanded her passion from creating outfits for stuffed animals to designing garments for people, eventually studying costume design at the University of Michigan.

Arnsdorf built a 15-year career as a patternmaker and technical designer focused on USA-made apparel, working with brands such as Abercrombie & Fitch, Eileen Fisher, and Patagonia, as well as domestic apparel factories.

During the COVID-19 pandemic, she discovered CLO3D, embracing its potential for instant digital fittings and more efficient pattern corrections. Today, she serves as a Digital Product Curator at Vera Bradley Inc., where she applies 3D tools to improve fit and grading, reduce sampling, accelerate approvals, enhance communication, and generate accurate 3D renders for B2B sales presentations.


About the Event

This webinar offers attendees rare insight into the tools, techniques, and creative strategies powering next-generation fashion development. The panel will explore the expanding role of digital product creation across design, technical, and production workflows—and how 3D innovation is reshaping one of the world’s most influential industries.

Event Details:

  • Title: The Fashion Panel
  • Date: December 9, 2025
  • Time: 9:00 AM PST
  • Format: Virtual Webinar
  • Hosted by: ACM SIGGRAPH

Registration information

Eventbrite tickets will be available for free at:

https://www.eventbrite.com/e/3d-in-fashion-panel-discussion-tickets-1974932400975?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl