アートギャラリー:「適応」

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アートギャラリー動画予告編

Art Gallery Podcast

場所:ホール A 開催時間
2009年12月17日(木) 09:30 - 18:30
2009年12月18日(金) 09:30 - 18:30
2009年12月19日(土) 09:30 - 17:00

現実の社会に存在する課題とそれに取り込む機会について考える―今存在するものを将来存在するかもしれないものに適応させることにおいて、アートとテクノロジーの飛躍的な成果が見られます。

世界が急速に進化する今、アーチストや研究者にその最前線を見せてもらいましょう。シーグラフアジア2009のアートギャラリーとエマージングテクノロジーの展示は「適応」をテーマとしています。アートギャラリーでは、最先端のデジタルメディア技術を駆使した作品から、技術社会に疑問を投げかけるような作品まで、多様で国際的なアートが展示されます。

Plaster_Patch (Juried)

Modern medical technology is allowing us to live longer and recover faster. Sometimes a gadget is blatantly affixed to our bodies, and other times, usually in a moment of crisis, circuitry is installed beneath or inside us. The impetus for these rapid advances in medical science came about not from everyday aspirations for a better life but from military and corporate desires to maintain national leadership. On the receiving end of this whirlwind, we are rapidly becoming dependent on the computer chip for much of our daily lives.

From the invention of the first candle to the mass-produced fluorescent tube, the extent to which humans can bend the laws of nature to their whim has proven exponential. In highly industrial societies, the act of walking down a city street allows little rest for the mind, as zeros and ones translated into commercial air and eye space penetrate our ocular and auditory organs (which were not built for such high-powered, high-frequency input). In the 1970s, this technological phenomenon was considered a “future shock”, but in the 21st century we have entered a state of “future saturation”.

Consumers question nothing as obsolete software is replaced by a new version, quicker than a heart beat. Even using this kind of biological metaphor (blink of an eye, beat of the heart) generates a wave of nostalgic longing for times when pulsing screens did not buffer interpersonal emotional contact. Whether we are strapped to a hospital bed or simply watching television, we are careening down the electron-powered highway toward a universally wired world that is emotionally deafened.

Max Abeles 
Harvestworks