Project Number

52

Title

An Interactive Exploration of Computer Music Research

Description

Interactive demonstration of psycho-acoustical virtual environments with spatial sound.

Contact

David Waxman

Affiliation

IRCAM

Address

1, Place Igor Stravinsky 
75004 Paris 
France 
+33.1.44.78.48.20 
+33.1.42.77.29.47 fax

E-mail

waxman@ircam.fr

WWW

Year

1993

Reference

SIGGRAPH 93 Visual Proceedings

Project Details

Visitors participate in a series of interactive demonstrations focusing on three areas of IRCAM research - psychoacoustics and perception of musical pitch, rhythm, nuance, timbre and space; digital signal processing (DSP) as a means to realize sound synthesis transformations; and compositional concepts and structural transformations. 
 
The user interacts with the system by screen selection, piano keyboard, or microphone. The computer responds in realtime by transforming inputs into synthetic sounds. "Psychoacoustics" simulated sound in virtual spaces. "Signal Processing" gives examples of realtime sonic transformations similar to graphics morphing. "Composition" looks at macro-structural control and manipulation. 
 
"This exhibit demonstrates interactivity and virtual reality in the audio domain by providing examples that are themselves interactive."

Sight

Macintosh Quadra 950, RasterOps, Macintosh IIci, NeXTcube 040 workstation

Sound

Ariel IRCAM Signal Processing Workstation (ISPW), IRCAM NeXT Max, Opcode/IRCAM Macintosh Max

Touch

Smell

Taste

Other

Emergence

1 - Innovation, Custom, Research

Intent

3 - Application (expression, enabler)

Primary

302 - spatial sound

Secondary

203 - interactive paradigm, technique

Remarks

Presentations based upon work realized at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) of the Centre Georges Pompidou in Paris.

 


Last updated: 5 Jul 2002
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