Kevin's presentation covered a CAMEO-SIM overview, Image Fidelity work,
and a project with the National Gallery (SALI 99).
CAMEO-SIM is a physics-based synthetic scene simulation facility. It
simulates a section of the Salisbury Plain for use as a synthetic proving
ground for work performed by DERA. It is radiometrically accurate and can
be used to evaluate both broadband or spectral calculations. Data in the
form of geometric wireframe, material properties, atmospheric properties,
etc., is input into the simulator. It can then evaluate a number of energy
spectrums.
In terms of visible band output, synthetic versus real can be examined.
He showed a simulation of an attack helicopter in a forest of trees with
examples of:
- all surfaces diffuse - no shadows
- hard shadows (clear day)
- soft shadows (cloudy day)
- BRDF applied to airframe
- everything applied at once
The Image Fidelity project is currently "fit for purpose",
meaning it is constrained to specific applications. The aim of the programme
is to find a metric or combination of metrics to quantify the fidelity
of synthetic imagery. Using the metrics, it might be possible to identify
the optimum method of creating fit for purpose imagery for different applications.
The National Gallery project was a 3 week feasibility approach to render
images of a Renaissance painting under an artificial illuminant and candlelight.
Artwork displayed in the National Gallery is currently viewed under a diffuse
daylight type illumination. This is not representative of the original
creator's environment. When viewed under original beeswax candlelight,
gold stands out and ultramarine blues appear much deeper.
Work with the University of Bristol has performed rendering experiments
to understand eye movement patterns across this work in an attempt to understand
possible illumination scenarios and design of the art for specific viewing
contexts.