ACM Computers in Entertainment correspondent Chris Davidson and VFX legend Joe Letteri talk about Weta Digital's work on the blockbuster movie "Dawn of the Planet of the Apes."
The brand-new Munich ACM SIGGRAPH chapter will be celebrating its launch in style on Sunday, 21 September, with a talk from computer graphics veteran Paul Debevec. Debevec is the Former Vice President of ACM SIGGRAPH, and is widely recognized as a leader in the field for his impactful research in photorealistic image capture and rendering.
The Visual Effects Society has just announced its involvement in a groundbreaking project: the creation of a reference platform for VFX software development. Called, quite simply, the 'VFX Reference Platform,' its purpose is to minimize incompatibilities between different VFX software packages and encourage further adoption of Linux by VFX software vendors.
Some background on the project from the VFX Reference Platform website:
Forget the Old Gods, the Drowned God, the Seven and the Lord of Light; the magic of Westeros is far more complex than the conjurings of deities. It's a special type of alchemy so powerful, it can transform 1s and 0s into fire-breathing dragons, sea-battered castles and legions of shuffling undead. The true magic of "Game of Thrones" is its visual effects.
The ACM SIGGRAPH NYC chapter's Twelfth Annual Industry Spotlight will feature animation and post-production facilities from the NYC metropolitan area. Presenters will share a bit about their company, show some recent work and discuss future projects. It's one of the chapter's most popular events each year.
On Thursday, April 3, 2014, the New York City chapter of ACM SIGGRAPH will host the twelfth annual Industry Spotlight at the Fashion Institute of Technology in Midtown Manhattan. One of the chapter's most popular events, the Industry Spotlight provides NYC animation and post-production professionals an opportunity to learn more about the facilities that operate in the metropolitan area.
It's rare for visual effects artists to find themselves the focus of attention at a red carpet gala, despite the ever-increasing importance of effects in film and television. Unaccustomed to the chaos of flashing bulbs and chattering shutters, many of the nominees at the 12th Annual Visual Effects Society Awards on Wednesday, February 12, were understandably flustered as they approached the array of lights and cameras skirting the VES red carpet.