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Marc Alexa
SIGGRAPH 2007 Sketches & Posters Co-Chair
Technische Universität Berlin
Adam Finkelstein
SIGGRAPH 2007 Sketches & Posters Co-Chair
Princeton University
Sketches & Posters Committee
SIGGRAPH 2007 Sketches & Posters Co-Chair
Technische Universität Berlin
Adam Finkelstein
SIGGRAPH 2007 Sketches & Posters Co-Chair
Princeton University
Sketches & Posters Committee
The Viz Biz
Tuesday, 7 August
8:30 - 10:15 am
Room 1AB
Session Chair: Joe Kniss, University of New Mexico
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Light Threads - Illustrating Movement Dynamics in City ModelsA novel method for illustrating the movement dynamics in urban space. The generated illustrative maps turn humans cognition of dynamics from a reflective into an experiential mode.Marc Nienhaus Universität Potsdam/mental images, Berlin marc.nienhaus.graphics (at) gmail.com Jürgen Döllner Universität Potsdam Bruce Gooch University of Victoria |
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Mapping, Illuminating, and Interacting With ScienceA world map and a science map that show 800,000 papers in 776 scientific paradigms can be interactively explored to understand the origin of scientific contributions and the impact of scientists.Kevin W. Boyack Sandia National Laboratories Richard Klavans SciTech Strategies, Inc. W. Bradford Paley Digital Image Design Incorporated Katy Börner SLIS, Indiana University katy (at) indiana.edu |
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The Regular Four-Dimensional 57-CellBesides the six regular four-dimensional "Platonic" polytopes, there exist two fascinating, highly symmetrical 4D objects with 11 and 57 non-orientable cells, respectively. This sketch summarizes an attempt to visualize these objects through stepwise construction.Carlo H. Séquin James F. Hamlin University of California, Berkeley sequin (at) cs.berkeley.edu |
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Multi-User Interaction on the DNA WorkbenchWith the DNA Workbench, participants use gesture-based input to engage and collaborate, forming a communal and kinesthetic learning experience for understanding DNA replication.Alan Price Vita Berezina-Blackburn The Ohio State University aprice (at) accad.osu.edu |
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From DNA to 3D Organic Art FormsA novel "biological" technique to define and evolve 3D art forms. The approach combines a re-implementation of the "FormGrow" system of Todd and Latham with an external source: DNA sequences.William Latham Miki Shaw Stephen Todd Frederic Fol Leymarie Goldsmiths, University of London w.latham,miki (at) gold.ac.uk Lawrence Kelley Benjamin Jefferys Imperial College |
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