Wednesday, 3 August
1:45 - 3:30 pm
Wednesday, 3 August
1:45 - 3:30 pm
Room 515B
- Papers: Reprise of UIST and I3D
The User-Interface Software and Technology Symposium and the Symposium on Interactive 3D Graphics and Games are two leading conferences sponsored by ACM SIGGRAPH. Six of the best papers from the most recent UIST and I3D symposia are presented in abbreviated form:
UIST Papers
CrossY: A Crossing-Based Drawing Application
Georg Apitz
François Guimbretière
University of Maryland
Multi-Finger Gestural Interaction with 3D Volumetric Displays
Tovi Grossman
Daniel Wigdor
Ravin Balakrishnan
University of Toronto
DART: A Toolkit for Rapid Design Exploration of Augmented Reality Experiences
Blair MacIntyre
Maribeth Gandy
Steven Dow
Jay David Bolter
Georgia Institute of Technology
I3D Papers
Geopostors: A Real-Time Geometry/Impostor Crowd Rendering System
Simon Dobbyn
John Hamill
Keith O'Conor
Carol O'Sullivan
Image Synthesis Group, Trinity College Dublin
Sketching Mesh Deformations
Youngihn Kho
Michael Garland
University of Illinois at Urbana-Champaign
Real-Time Relief Mapping on Arbitrary Polygonal Surfaces
Fábio Policarpo
Paralelo Computação Ltda.
Manuel M. Oliveira
João L. D. Comba
Universidade Federal do Rio Grande do Sul
Wednesday, 3 August
1:45 - 3:30 pm
Petree Hall C
- Papers: Dynamics of Solids
Session Chair: Jovan Popivić, Massachusetts Institute of Technology Computer Science and Artificial Intelligence Laboratory
Adaptive Dynamics of Articulated Bodies
Stephane Redon
Nico Galoppo
Ming C. Lin
University of North Carolina at Chapel Hill
Fast Frictional Dynamics for Rigid Bodies
Danny Kaufman
Timothy Edmunds
Dinesh K. Pai
Rutgers University
Meshless Animation of Fracturing Solids
Mark Pauly
Stanford University
Richard Keiser
Eidgenössische Technische Hochschule Zürich
Bart Adams
Philip Dutré
Katholieke Universiteit Leuven
Markus Gross
Eidgenössische Technische Hochschule Zürich
Leonidas Guibas
Stanford University
Wednesday, 3 August
1:45 - 3:30 pm
Hall B
- Sketches: Effects Omelette
Session Chair: Diego Gutierrez, Universidad de Zaragoza
Visual Simulation of Wispy Smoke
For the movie "Cursed," Frantic Films needed to replicate the wispy smoke of werewolves touching silver. This sketch describes the techniques and tools developed to do it.
Christopher Batty
Frantic Films
R3B cbatty (at) franticfilms.com
Ben Houston
Neuralsoft
Highway To Hell
For "Constantine," we had to create a highly stylized depiction of hell. A 3D world was rendered with burning sky, crumbling buildings, flying debris, and crawling demons.
Jay Heapy
Tippett Studio
jay (at) tippett.com
Matt Jacobs
Tippett Studio
Cartoony Fluid Animation
Dynamic solutions, while effective, don't easily provide a cartoony style for fluid. We focused on hand-drawn animation choices to help our 3D tools arrive at effective fluid caricature.
Yvett Merino
Walt Disney Feature Animation
yvett.merino (at) disney.com
Peter DeMund
Walt Disney Feature Animation
Surfing Zebra, A "Madagascar" Effects Breakdown
The production elements and techniques used to create drama through ever-changing patterns in foam and spray as a wave breaks, spills, and hurtles a surfing zebra towards the Madagascar shore.
Marty Usiak
PDI/DreamWorks
musiak (at) pdi.com
Matt Baer
Mark Manfrey
David Hart
PDI/DreamWorks
Wednesday, 3 August
1:45 - 3:30 pm
Room 511AB
- Sketches: Augmented and Virtual Reality
Session Chair: Wendy Ju, Stanford University
Enhanced Eyes for Better Gaze Awareness in Mixed Reality
Enhanced eyes restore gaze awareness in a shared mixed-reality space. Three schemes are proposed and evaluated: controlling highlight, deforming eyelids, and adjusting rotation angle of eyeballs.
Keisuke Tateno
University of Tsukuba
tateno (at) image.esys.tsukuba.ac.jp
Masayuki Takemura
Yuichi Ohta
University of Tsukuba
A Car-Navigation System Based on Augmented Reality
A display method for car-navigation systems based on an augmented-reality technique.
Hiroaki Sawano
Waseda University
sawano (at) suou.waseda.jp
Minoru Okada
Waseda University
Enabling View-Dependent Stereoscopic Projection in Real Environments
How to enable view-dependent stereoscopic projection on ordinary surfaces in everyday environments. Display configurations for AR/VR applications that require permanent and artificial projection canvases might become unnecessary.
Oliver Bimber
Bauhaus-Universität Weimar
bimber (at) uni-weimar.de
Gordon Wetzstein
Andreas Emmerling
Christian Nitschke
Bauhaus-Universität Weimar
Immersive Virtual Studio
A natural-image screen composition of real object and virtual space was achieved using transmission retro-reflection material, projectors, and coaxial infrared rays.
Hideki Mitsumine
NHK Science and Technical Research Laboratories
mitsumine.h-gk (at) nhk.or.jp
Wednesday, 3 August
1:45 - 3:30 pm
Room 407
- Art Panel: Digital Activism: Political Artwork
Moderator
Dr. Edward A. Shanken
Savannah College of Art & Design
Featured Panelists
Perry Hoberman
University of Southern California
Liggorano/Reed
Pureproducts.com
David Lu
Futurefarmers.com
Mark David Hosale
John Thompson