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Production Rendering
Thursday, 31 July 2003
8:15 - 10:15 am
Room 20 D
Session Chair: Darren Hendler, Digital Domain
Image Regions as Used on "Minority Report" and "Harry Potter"
Regions of influence in Maya and how a region based on projected images was used for "Minority Report" and "Harry Potter and the Sorcerer's Stone."
Bob Powell
Masi Oka
Steve Braggs
Gerald Gutschmidt
Industrial Light + Magic
bpowell@ilm.com
Realistic Eye Rendering
An eye system that produces visually accurate gaze directions both during animation and final rendering, and maintains and improves the controllability and flexibility of the system.
David Hart
Rick Glumac
PDI/DreamWorks
dahart@pdi.com
Tetrad Volume and Particle Rendering in "X2"
In the "X-Men 2," the atmospheric character of the Cerebro was built and animated using volume rendering of tetrahedrons, producing detail and texture not normally achievable in volume rendering.
Jerry Tessendorf
Bill LaBarge
Vijoy Gaddipati
Cinesite Digital Studios
tessendorf@arete.com
Avalanche! Snowy FX for "XXX"
The technique developed to create a fully computer-generated avalanche for the feature film "XXX" using Houdini and a proprietary voxel renderer: VoxelB-.
Alan Kapler
Digital Domain
zima@d2.com
Mr. Gray B. Puts on a Happy Face
Creating the luminescent qualities for Mr. Gray B, the alien creature in "Dreamcatcher."
David Horsley
Industrial Light + Magic
horsley@ilm.com
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