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Creating artwork
that is totally non-representative at inception, that remains so upon
completion, but that allows the individual viewer to derive representative
imagery from abstractions, can be very dynamic. This type of work
inadvertently addresses the brain's ability to subconciously process
repetitive patterns in both the obviously spatial and subtly self-similar
domains. The artwork evokes different reactions in different viewers,
who notice things that even the artist didn't notice, so the work
evolves every time someone new views it... Why is there this incessant
need for such highbrow aesthetic and meaning in fine art? All that
really matters is that it is pleasing to the eye... |
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