paintings" use video artifacts to embody personal and human-technology
relationships. The "output" returns from the electronic
environment of computer monitors and television screens to traditional
art materials and processes, questioning the very substance of art.
The visual contrast between the paintings that appear to be computer
generated and those with electronic output where the technology
is virtually transparent, expands the relationships among human
beings, art, and technology.
The artist's current
work, totally electronic in input, development, and output explores
relationships with life, love, and art history. The images in the
series were output to a Versatec electrostatic printer, permitting
life-size scale and lamination of thin paper. The prints are flexible,
so they can move around curved surfaces and adapt to a range of