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technical statement
The digital, on-screen
process of creating the images, follows numerous pencil studies that
determine concepts and compositions. Majority of the raw photographic
components originate from vintage prints, digital photography and
stock. The digital files are finally enlarged by 400% and printed
digitally on 44'x60' canvases by a 6 color laser plotter printer.
Adobe PhotoShop 5.5 is used to connect and manipulate old and new
sources into seamless visuals. Only the basic set of software filters
and effects are utilized on the multi-layered files, completed in
grayscale before they are colored. As a traditionally trained artist,
I always preferred acrylic pigments to oil because my technique required
endless layering in order to get texturally and tonally dense surfaces.
I painted on both sides of acetate sheets and the result resembled
experimental animation cells. I found the computer has given me the
transparent-layered results that I liked and the ability to incorporate
photographic materials that I believe are essential to my work, in
order to create surreal, yet momentarily believable images.
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