 |
|
|
technical statement
The computer lies
at the core of this series of work. The inspiration for this body
of work comes from recent scientific discoveries that would be categorized
as post-structuralist. The Post-structuralist paradigm has come about
largely due to the immense number crunching ability of the digital
computer and so really is a philosophy born of the computer age. So
it seems only fitting to use the computer as a tool to talk about
these new ideas. I begin by creating a graphic vocabulary drawing
inspiration from scientific artifacts such as diagrams, satellite
photos, market analysis graphs, etc. I create the simple geometric
elements using the postscript graphics program Freehand. Freehand
allowed me to create elements that are very precise allowing the elements
to line up properly when placed on a grid. Working in postscript also
allows me to import the graphics into Fontographer; a program that
can create font sets. I then use Fontographer to create font sets
of graphic elements. I have created half a dozen or so fonts with
names such as Vector, Connectionist, Rhizo, Neural net, Crop Circle
and AI. Putting the elements into Fontographer helps automate the
process of layering and reinforces the language and machine aspect
of the process. I am then ready to build the pieces.I create the final
pieces in Freehand again. Freehand has excellent layers control and
of course keeps the process in postscript.
|
|
|